5/5/20

2020 Writing Exercise Series #125: 3x5x7 Wordbank Sprints 17


The Notebooking Daily 2020 Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.

These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.

#125
3x5x7 Wordbank Sprints 17
For today's writing exercise complete the following steps. The wordbank exercise has changed so be sure to take a peek at the new 'rules'. I recommend using the timer on your phone or computer and setting it for 1 minute. Each time you write a sentence, quickly reset the timer. If it goes off before you're finished with the sentence—wrap it up ASAP!

In order to complete the large number of sentences demanded of this exercise it is imperative that you write fast. Don't think too much at all until you've reached the final exercise. The process of this quick production is to thrust past second guesses or other stumbling blocks that sometimes impede your writing. You're aiming to write 23 sentences in at most 20 minutes so you have ten minutes to organize and write that actual piece, so you're going to be writing more than a sentence a minute.

WRITE FAST, DON'T OVERTHINK


  1. Pick one word from each of three groups and write a sentence that includes all of the words, feel free to change tense, pluralize, gerund etc. Repeat the process five (5) times using different combinations. No dawdling! 
  2. Now write three (3) sentences that are six (6) words or fewer in length that use any two (2) words from the wordbanks.
  3. Now write three (3) sentences that use four (4) or more of the words.
  4. Now write five (5) sentences which begin with one (1) of the words and contain a second one (1) of the words.
  5. Now write five (5) sentences which are fewer than ten (10) words in length and conclude with one (1) of the words from the wordbanks. Remember, keep up the pace! Don't overthink!
  6. Now rephrase two (2) of your sentences from exercise #1 in either a more efficient or more descriptive manner.
  7. Now write a piece of fiction or poetry that uses at least three (3) of the sentences you've written throughout this process of exercises. Try to use as many of the (good) sentences as you can, or parts of the sentences if the whole thing doesn't fit or works better altered.


Word Bank 1:
  • Silly
  • Felt
  • Higher
  • Wilt
  • Quilted
Wordbank 2:
  • Stacked
  • Notch
  • Telling
  • Flouted
  • Hop

Wordbank 3
:
  • Chow
  • Powered
  • Gulp
  • Jello
  • Oiled

Bonus writing exercise: In your piece, include someone with a craving for ice cream, and part of the poem should take place in Spring.

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Want some unobtrusive background writing music? Try this "Chill Vibes" lofi playlist.

The Notebooking Daily May Submission Challenge: Submit to 3 "P" Journals


The Notebooking Daily May Submission Challenge

You're in it now! This it The Publishing Life, and you've been recruited for the Notebooking Daily May Submission Challenge!


Your May Mission, should you choose to accept it, is to submit your writing to at least 3 journals beginning with the letter P. Submit poems, short stories, non fiction essays, vignettes, lists, cross-genre lyric mimesis, whatever. There are journals in this list for all styles. You got this. And I got your back.

To aid your cause, I've collated a number of lists into one with over 50 listings for posterity (resources at the bottom). I'll mark the magazines that are closed to submissions right now for later reading/submissions, as well as if they have submission fees.

There really are all styles of journal in this list. Journals like Palaver, 'Pider or Posit are more on the avant-garde side whereas Peacock Journal, Palatte Poetry and Plainsongs are all much more accessible. There are journals that specifically state they are for both 'amateurs' and 'pros' as well as some 'prestige' literary magazines, journals that read fully blind, print magazines, and even at least one magazine that only reads physical, postal submissions.

By golly, though. There were so many more literary magazines starting with P than I realized when I set out to write this article using journals from a random letter,  but once I got started I figured I might as well make this as useful as possible. So yeah, "P" Journals.

How I Research
Photo by Dan Dimmock on Unsplash
My strategy for researching new journals has evolved over the years, and I feel like my current approach has improved my success in submitting. So here you go: First, make sure they're open for submissions, and read their guidelines—if you're on their submittable page click the image top center, it'll be a logo/name which will take you to their main page. Submission guidelines are in the top tabs unless I note it along with the name. You can sometimes learn a lot from a journal's guidelines, though sometimes they're very minimalist and you get nothing but the actual submission directions. FOLLOW THEIR DIRECTIONS. Some journals will return submissions unread if you put your name on it, or don't put your name on it, if you don't address the correct editor, if you don't put some piece of information in your 'cover letter' dialog box. Be respectful, read the guidelines and follow them when you do submit.

Then I glance at the magazine's 'about us' or 'our mission' tab to get a more general feel for what their editorial lens is, what makes them, them. At least, according to them. This process should only take a few minutes, so don't scoff. It's important, or, it can be.

Then I go to the newest issue or group of posts and for the genre I'm considering submitting, I read the piece with the title that most appeals to me. If I dig that I'll read all the poems or stories for that issue, at least some of each piece. If I don't like it I'll glance at a few more pieces until something grabs me or I'll make a note in my 'Submission notes' file in google docs that says briefly why I don't think my work fits there, or what my impression of the journal was. Far too often I make then note mentally but I'm trying to get better about that.

Then when you have read a bunch of their stuff, try to imagine which of your pieces would feel most at home nestled amidst the things you read. Would it fit? Are the pieces you are considering/have written too confusing, too straight-forward? Did you notice they didn't use vulgar language or pop culture (or that they did)? Was it funny or poignant, minimalist or expansive, what was the use of whitespace like? Use whatever metrics feel most useful to you, but you should have an basic idea of your work's strengths and stylistics.



The "P" Journals:

Pacifica Literary Review (temp closed, reopens mid-may)
Packingtown Review
Painted Bride Quarterly  $3 fee
Palaver Journal
Palette Poetry
Palooka $3 fee
Pank  $5 fee
Paperbag
paperplates  (Guidelines at bottom of page)
Parhelion Literary Magazine  (temp closed)
Paris-American, The
Passages North  (temp closed, opens 9/20) 
Paterson Literary Review  (No online submissions)
Peacock Journal
Peatsmoke Review
Peauxdunque Review
Pedestal Magazine 
Pembroke Magazine  (temp closed, opens 9/1-4/30)  
Penmen Review, The 
Penn Review  (temp closed, opens 9/20)
Peregrine  (temp closed)
Permafrost Magazine  $3 fee
Petigru Review  $3 fee
Phoebe  (temp closed)
Pidgenholes  (5/10/20 deadline) 
pioneertown  $3 fee
Pinch, The $3 fee
Pine Hills Review  (temp closed until 9/20)
Pinwheel  (5/31/20 deadline) 
Pinyon  (temp closed 9/1-12/1)
Pithead Chapel 
Pittsburgh Poetry Review  (temp closed)
Plainsongs   (6/15/20 deadline) 
Pleiades: Literature in Context 
Ploughshares (temp closed, opens 6/1-1/15)
Plume Poetry 
Poet Lore  (May 31 deadline)
Poetry East  (temp closed)
Poetry International  (temp closed)
Poetry Magazine 
Poetry Northwest $3  (temp closed opens 9/15-1/15) 
Pomona Valley Review
Polaris  (temp closed)
Portland Review  (temp closed)
Posit   6/15/20 deadline 
Potomac Review 
Poydras Review $4 fee
Prairie Schooner   (temp closed opens 9/1-5/1) (No Simultaneous Submission)
Pretty Owl Poetry 
PRISM International  (Vulgar theme deadline 5/15/20) 
Prism Review 
Psychopomp Magazine 
Puerto Del Sol 
Punctuate (non fiction only)  (temp closed) 

Resources:


That's it! You have your assignment, your list of 'contacts'... Don't even worry about the responses you'll eventually get. In the short form (poetry, short stories/essays) publishing game, editors receive far, farrrr more writing than they could ever publish, so by necessity a lot of very good writing will be rejected many times merely because of circumstances not related to the quality of the writing. A rejection is not an assessment of your value, or the 'worth' of your writing. For one reason or another it didn't work out there, then. Nothing personal about it. But sometimes it's right place, right time and then we celebrate!

If you end up getting anything published that you submit for the challenge please let us know and we'll definitely post about your success.

You got this!

As you can probably tell from, well, everything, I'm also a submitting writer and those submission fees can add up! If you got a lot of use from this post I would really appreciate any tips you might consider shooting my way. Every dollar counts, literally, and I promise to use every penny on my own submissions—you could sponsor my next $3 submission! But hey, I know it's tough times for everyone so don't sweat it if you need to keep your pennies for your own submissions or food. Believe me, I get it. I just hope you get some use out of the article, and you find some new journals that you like! 

5/4/20

2020 Writing Exercise Series #124: Three Things Together 17


The Notebooking Daily 2020 Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.


These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.

#124
Three Things Together 17

F
or today's writing exercise you will write a piece of poetry or prose which contains the following three things, Nice and simple.

  1. A dented paint can
  2. The English Channel
  3. A flat bike tire
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If you'd like some background music to write to, try the instrumental version of Fela Kuti & De La Soul's album "Fela Soul".




5/3/20

Poems to Quarantine With: National Poetry Month in a time of pandemic (#1 Recently Published Poems)


What's this now?

This is an anthology, of sorts. But first:



 That was a crazy National Poetry Month! In previous years I'd focused on producing during National Poetry Month (US) but since production of poems isn't an issue for me these days, I decided to read read read, and watch a ton of poetry videos. The series started out informal but as it took shape I got into a rhythm and took more seriously things like not repeating any literary journals in the 'recently published' poems, digging up interesting and different topics within poetry, sometimes embracing themes or authors. I found videos that were on youtube for over a decade and were under 20 views that actually had good content. I noticed that Ace Boggess and Derek Annis and Kai Carlson-Wee among a number of others seem to be publishing far and wide the last few years. My brain was enthralled and exhausted.

There is just so much poetry out there that I didn't make a mark, let alone scratch the surface of even just stuff published online in the last couple years, and there are so many print magazines that I didn't touch!

Viva la poetry! 


What I did do was read poetry every day until I found at very least 3 new poems in 3 different journals that met a nebulous set of criteria including entertainment factor, poignancy, accessibility (not always 'easy to understand' but poems that weren't overly obfuscated/puzzling in order to reach a nice wide audience—though my soft spot for surrealism allowed some more enigmatic poems to sneak through) and linkability—there are a lot of good journals that are on the ISSU platform, or release their journals as one large document instead of individual pieces, but because it's tough to ask readers to find page 133 of a pdf doc or on the issu slider, those issues were excluded. And sometimes I even skipped good poems because they were the 4th of 5 poems or something similar, only a could times requiring the reader to scroll past a single poem by the same author to get at the one I wanted them to see.

But there is SO MUCH POETRY, were I paid to do it and didn't have a million of other projects and responsibilities, I could post similar activity packs every day for a year before I started really struggling for material.

If you missed the series, every day I posted new 'activity packs' with 4-8 (mostly short) videos relating to poetry (usually either readings, video visualizations, clips of interviews or talks), 3 poems published online within the last couple years, 3 older or 'classic' poems, at least one writing prompt, and some games and fun activities like Literary Mad Libs, Word Finds, Anagram/word scrambles etc. This is a compilation of all the 'poems published online within the last couple years' poems featured. At the end are links to all the different literary journals featured, as well as their submission guidelines.

I read at least 10-20 poems for every one I selected, and I am a fan of a really wide variety of poems so if you don't like one poem, just pop on to the next one, you'll find some that you really enjoy, I promise. Stay tuned for "Better Than the Movies" in the future, along these same lines.


The Poems

Day 1
"Chronic 2001" by Matt Muth in Sundog Lit 16.
"Sugar or Blood" by Campbell McGrath in American Poetry Review Vol. 41 No. 1.

Day 2
"Lord of the Flies" by Dorianne Laux in Rattle's Poets Respond March 17, 2020.
"The Turtle Cure" by Cherene Sherrard in Blackbird Vol. 18 No. 2.

Day 3
"The Tree in the Midst" by John Shoptaw in Poetry Magazine April 2020.
"mountains before mountains were mothers" by Aimee Herman in Cream City Review Vol. 43 No. 2. (and listen to the audio)
"The Weight of Him" by Laura Foley in One (from Jacar Press) Issue 20.

Day 4
"Tin" by Matthew Murrey in Apple Valley Review Vol.14 No.1.
"Over 100°, La Mesa" by Zebulon Huset in Maudlin House March 17, 2020 (Sorry).

Day 5
"For Lillian, Whoever She Is" by Matt Morris in Frigg Magazine Issue 54.
"Sparrow Shadow, Florida" by John Hazard in Atticus Review January 22, 2020.

Day 6
"Back in the Good Old Days" by Derek Annis in Bluestem Spring 2020.
"House is the Word My Doctors Used for My Body" by Emma Bolden in National Poetry Review Issue 15. 

Day 7
"Recuerdo: Mexico, 1997" by Esteban Rodríguez in Gordon Square Review Issue 5.
"The Cafe" by John Drudge in Black Coffee Review Spring 2020.
"The Last Train" by Finola McDonald in Flock Issue 22. 

Day 8
"Elegy with Trees" by Alyssa Jewell (audio in link) in Yemassee Journal Volume 25 Number 1.
"Well, Really" by P Claire Dodson in The Mantle Issue 10.
"black winged and blue" by Harlow Crandall in Green Briar Review Winter 2020. 

Day 9
"Ghetto Gold" by Carolanne Conerly Griffin winner of Gemini Magazine's 2020 Poetry Open Prize.
"The Water in the Water" by Johanna Dong in Tinderbox Poetry Journal Volume 6 Number 3. 

Day 10
"Habit" by Gail Martin in Barnstorm November 29, 2019. 

Day 11
"What Comes Easy" by John Blair in Roanoke Review 2020.
"Defunct Words and Phrases Thanks to the Coronavirus Crisis" by Emily Flamm in McSweeney's Internet Tendency April 7, 2020.
"When You Are Invisible, You Can Say Anything" by Valentina Gnup in Lascaux Review, 2019 Poetry Prize winner. 

Day 12
"Blur" by James Croal Jackson in Pacifica Literary Review 15.2. 

Day 13

Day 14
"Robocall" by Veejay Seshadri in Ocean State Review 2019.
"Music Indoors" by Adam Gianforcaro in Cincinnati Review miCRo July, 2019. 

Day 15
"Twelve Bones of Architecture" by Matt Dennison in Red Eft Review April 9, 2020.
"A Little Thing" by Rebecca Cross in elsewhere Issue 17.

Day 16
"Lumberjacks Pound Their Dead into the Ground" by Michael Mark in Cutbank Weekly Flash Prose and Prose Poetry January 7, 2020.
"Sublet, Pay-Later System" by Mira Rosenthal in Subtropics Issue 26 (Fall/Winter 2018).

Day 17
"Mental Health" by Kai Carlson-Wee in Great River Review Issue 66.
"The Museum of Trees" by Susan Wardall in Cordite Poetry Review Issue 95 (Feb. 2020).
"Plums" by Jane A Wayne in Cumberland River Review Issue 9-2. 

Day 18
"Orchard" by Jeremy Radin in Muzzle Magazine Issue 24 (Summer 2019).
"Cans" by Laura Vrcek in Coal Hill Review Issue 23 (Fall 2019). 

Day 19
“Here Comes Someone Whose Name I Should Know” by John Kenney in The New Yorker Daily Shouts April 18, 2020.
"Do You Sleep" by Ace Boggess in Isthmus Issue 9 (Summer 2019).
"The Window" by Josh Mauler in Puerto Del Sol Online April 10, 2020. 

Day 20
“Darkly,... Then Face to Face” by Tim McBride in Southern Poetry Review Guy Owen Poetry Prize Winner 2018.
"We Play Life" by Robin Gow in jubilat Issue 37.

Day 21
“Dark Star” by David Underdown in Bracken Magazine Issue VI.
"Mega Man" by James Davis in Cartridge Lit December 17, 2019.
"Through the Dark" by David J. Bauman in Citron Review 10: Winter 2019. 

Day 22
"Elegant Spots" by Dionne Custer Edwards in Storm Cellar Quarterly Volume 8 Issue 1.
"The Openings in My Life" by John Grey in Fourth and Sycamore February 13, 2020. 

Day 23
“Plucking Away” by Di Jayawickrema in Jellyfish Review April 14, 2020.
"Elsewhere" by Emily Jungmin Yoon in New England Review 41.1.
"Volley of Darkness" by Marilyn McVicker in Front Porch Review April 2020. 

Day 24
"Cocktail" by Daisy Bassen in Packingtown Review Volume 13, Spring 2020.
"Migraine" by Lexie A Reese in Peacock Journal February 2019. 

Day 25
“Body of Rags, International Bridge Between the US & Mexico” by Ray Gonzalez in Poetry Magazine March 2019 (audio at link as well).

Day 26
"Aubade with Ravens" by Jessica Lynn Suchon in The Pinch November 22, 2019.
"Self-Portrait as Land Snail" by Nickole Brown in Bellingham Review November 15, 2019. 

Day 27
“The Melancholy Sound of Fog Horns” by Stephen Dunn in Beltway Poetry Quarterly Issue 21:2, Spring 2020.
"Treetops" by Jill Mceldowney in Bodega Magazine 91, March 2020.
Day 28
“Daisies” by James B. Nicola in Stickman Review V18N2.
"Evolution Theory" by Suzanne Verrall  in Star 82 Review Issue 8.1.
"The Thing That Keeps Me" by Holly Day in Studio One Volume 44, 2019.

Day 29
“Lowcountry Elegy” by Vivian I. Bikulege in The Petigru Review Issue 13.
"At Seventeen" by Carl Boon in jmww July 13, 2018.
"Whispers of Poland" by Tiffany Stachnick in Landlocked Issue 2.1.

Day 30
"Molly Pecon Moment" by Patty Seyburn (second poem) in Ghost Town Issue 10.
"Cliff Path" by Anne Britting Oleson  in Mad River Review Volume 4 Issue 1.

-

The Journals

And for good measure, here are links to all the various journals which I've linked to in alphabetical order so you can do your own research! Reading poetry isn't an April-only activity, after all. I've also included a link to the journal's submission guidelines if you like what you've read and think your work might fit there well.

(Poetry was the only journal I picked from twice. An accident, but if there was any journal to choose twice from during National Poetry Month, it would be Poetry.)
Posit-~-~-(submissions)

Sundog Lit-~-~-(submissions)
(Their name makes it sound like a joke journal, but they're definitely worth reading. I love "Don't Tell Me to Write More Love Poems" and think you will too.)

--

That's it! At some point in the near future I'll edit in a little note about why I chose the poems for each day, but holy frijoles! That took a lot longer to organize, research, write and get into a post than I expected so I'm a few hours behind my planned schedule for this Sunday. I hope you enjoy the poems and maybe find some journals you've never read or remind yourself of a venue you'd seen and forgotten or maybe gotten a bad impression of for some reason or another.

As you can probably tell from, well, everything, I'm also a submitting writer and those submission fees can add up! If you got a lot of use or entertainment from this post I would really appreciate any tips you might consider shooting my way. Every dollar counts, literally, and I promise to use every penny on my own submissions. But hey, I know it's tough times for everyone so don't sweat it if you need to keep your pennies for your submissions. Believe me, I get it. I just hope you read some poems you like!

2020 Writing Exercise Series #123: Six Word Shootout 11


The Notebooking Daily 2020 Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.

These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.

#123
Six Word Shootout 11

For today's writing exercise write a piece that includes the following six words. While it perfectly sets you up for a sestina, feel free to write whatever you'd like (but ya know, give that sestina a shot!). Also feel free to make slight alterations to the required words if you want to avoid that eye-pokey repetition you can find in sestinas sometimes. All the words will either have homonyms or have easy substitution options, so look for those homonyms!

Instead of words with easy substitutions/alterations, today we're going for quirky/unique words, just a heads up!

Required Words: 

1) Defenestration
2) Tubular
3) Exacerbate
4) Polyphonic
5) Fletching
6) Draconian

-
Bonus Exercise: Choose your title from within the intriguing song "Imhotep" by avant-garde indie rapper Noah23—a couple examples would be "Saw Myself in Half", "At the Puppet Show" "The Graveyard Paradigm Shift" or "Paint Myself In a Coroner's Office" among many other  great moments from the tremendously complex song.  
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If you'd like some background music to write to, try this independent hip hop album by Alias (r.i.p.) called "The Other Side of the Looking Glass."

5/2/20

2020 Writing Exercise Series #122: Beginning & Ending with Tea 14


The Notebooking Daily 2020 Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.

These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#122
Beginning & Ending with Tea 14

F
or today's writing exercise you will write a piece of poetry or prose which begins with one image, scenario, line of dialog or place and ends with another, and an optional additional requirement.




Begin With: Someone sipping a cup of tea on a patio, porch or veranda.


End With: A tea farm at sunset (like the photo, perhaps).


Extra Credit Requirements: Include in the first two paragraphs/stanzas the phrase "Only fools"; and somewhere in your piece include the words: "Troop" "Collide" "Yanked" "Willow" and "Queen".
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If you'd like some unobtrusive background music with a little 'normal', here's a "rush hour" lofi mix with a little ambient city noises like traffic, birds etc occasionally wafting by.

5/1/20

2020 Writing Exercise Series #121: Title Mania Plus "Iceland" 18


The Notebooking Daily 2020 Writing Series is here! These are daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.

These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#121
Title Mania Plus "Iceland"  18

For today's writing exercise you will write a piece of poetry or prose which uses one of the following as its title. For a bonus challenge use the additional exercise of five random constraints.

Today's titles all come from the poem "How to Summer (Without Alcohol) in Iceland" by Samuel Wright Fairbanks from Mortar Magazine Issue 4.


Titles:
  1. Exfoliate Yourself
  2. Forget Stars
  3. Midnight in a Viking Graveyard
  4. Just Wrong Enough
  5. Prone to Disappear
  6. Road Sign Typeface

Bonus Exercise: 5 Random Constraints
(I recommend picking any required words or lines before writing with a little surplus for options, but with your chosen title in mind)
  1. The first or second word of your piece must start with a "V".
  2. You must include at least five words which rhyme with "Mope".
  3. You must include someone lighting a candle or fire.
  4. You must include the words "Frightened" "Delete" "Wine" "Key" and "Carotid".
  5. You must include in your piece at least one cartoon character's name.
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If you'd like some synthy background music to write to, try this video of cellist Jeff Bradetich playing Bach: Prelude from Cello Suite No. 2