The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#90 Six Word Shootout with Paint 12
For today's writing exercise write a piece that includes the following six words. While it perfectly sets you up for a sestina, feel free to write whatever you'd like (but ya know, give that sestina a shot!). Also feel free to make slight alterations to the required words if you want to avoid that eye-pokey repetition you can find in sestinas sometimes.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#89 3x5x10+ Wordbank 14
For today's writing exercise complete the following steps.
1) Pick one word from each of three groups and write a sentence that includes all of the words, feel free to change tense, pluralize, gerund etc.
2) Repeat the process ten (10) times using different combinations. No dawdling!
3) Now write five (5) sentences that are five words or fewer in length that use any two (2) words.
4) Now write three (3) sentences that use four or more of the words.
5) Now write a piece of fiction or poetry that uses at least three (3) of those sentences. Try to use as many of the (good) sentences as you can, or parts of the sentences if the whole thing doesn't fit or works better altered.
Word Bank 1:
Elevate
Whetstone
Cacti
Grungy
Trawler
Wordbank 2:
Squash
Plunge
Yowled
Jig
Raft
Wordbank 3:
Rug
Appreciate
Troll
Hockey
Foul
Bonus writing exercise: Include in your story or poem a sentence which is exactly four words long, the last one being "Help", and must include the image of a lake iced over.
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Want some unobtrusive background writing music? Try Matt Elliott's 2004 album Drinking Songs.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#88 Micro 101 Episode 05 Produce Section
For today's writing exercise you will write a few micro-poems or micro-fictions. These will be either poems under 12 lines or stories under 100 words.
Don't worry about them not containing a complex message. Aim for a surface level with one metaphoric level. Focus on interesting juxtapositions, something out of place and why—either why it is in that place, why it's out of place or why it actually fits in for some unexpected reason. Real Estate is expensive in a micro so avoid too many phrasal verbs and using too many articles when possible. But also don't expect a micro to explain the world in 100 words.
Micro Exercise Pre-Listing: Make a list of five specific people you wouldn't expect to see in your local grocery store's produce section, five people you might expect to be found there on occasion, and three deceased people you're fascinated with/interested in. Write three words/phrases to describe each person. Make a list of ten items you might expect to find in the produce section, as well as three more exotic items from this list and again for each item list three words or phrases to describe each item (remember to use multiple senses). This list will facilitate the following exercises Micro Exercise 1: This micro is titled "To Be Expected in Produce" (or "Expected Near the Fruit") and will be a series of three or four 'expected' people and produce items (Person A ponders the necessity for fresh basil as Person B compares the bruises of petite winter avocados.) Finish the piece with a general gesture to the greater world beyond the supermarket which takes a backseat to food/nutrition/eating etc. Micro Exercise 2: Write a first person micro in which 'you' are grocery shopping while tired and twice you think you see people from your list of deceased list, both times it turns out to be someone ordinary (from your list or not) but then you think you see someone from the 'unexpected' list and check yourself, skeptical, but it really is that person. Be sure to include some of your produce and descriptions. Micro Exercise 3: Write down 4-7 interesting phrases/titles from this Random Title Generator, use it as many as ten times if you need to. Use one of those as the title and include a second in the micro which also includes at least two of your produce items. Micro Exercise 4: Write a piece where you imagine one of the people from your deceased list is having difficulties finding something at the grocery story and one of the 'expected' people helps them find the item, not knowing who the person was, include at least two of the deceased person's achievements/accolades etc as things the other person wouldn't know of/care of/understand etc.
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If you'd like some background music to write to, try the Gene Ammons' album "Blue Gene".
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#87
Beginning & Ending with Dinner 13
For today's writing exercise you will write a piece of poetry or prose which begins with one image, scenario, line of dialog or place and ends with another, and an optional additional requirement.
Begin With: Walking into a home to smell dinner being prepared (cooking/baking).
End With: A streetlight flickering and going out.
Extra Credit Requirements: Include the description of a specific type of gun; and the words: "Trial" "Illumination" "Fritter" and "Hone".
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If you'd like some background music, try the young (36) Italian composer Luca D'Alberto's album "Endless".
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#86 Title Mania Plus Galapagos 13
For today's writing exercise you will write a piece of poetry or prose which uses one of the following as its title. For a bonus challenge use the additional exercise of five random constraints.
Titles:
Jab, Jab, Uppercut
Lost in Thought
Thatch Roofs
The Wonderful World of After-School Specials and PSAs
A Hot Savory Broth
Bonus Exercise: 5 Random Constraints (I recommend picking any required words or lines before writing with a little surplus for options, but with your chosen title in mind)
Your first paragraph must include the description of a piece of sport's equipment.
You must include at least six words which begin with the letter combination "Sp".
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#85 Three Things and a Random Title 07
For today's writing exercise you will write a piece of poetry or prose which contains the following three things, using a title generated by the random title generator linked below. Nice and simple. If you're not intimately familiar with these things do a little reading and see if a piece of info sticks out.
Title:Use this title generator. Get a look at the 3 things below that you must use and generate phrases 6 at a time. Try the more button on the generator no more than three times. If you click it a third time, that's it. Pick one of those. This is one of the better title generators I've found. "Dreams of Flying" is one I got which could be about a Christmas picture in which the family sits around the tree doing the 'Home Alone face' for a Polaroid while playing a big game of Spades, and while that's how the family remembers that Christmas eve, the narrator mostly remembers their dream that night, a recurring dream of flying which happens any time they're feeling really happy—as an example.
A Deck of Cards
A Polaroid picture
Home Alone (movie)
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If you'd like some background music to write to, try Lisa Gerrard's album, The Silver Tree.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#84 Leaping Repetition
For today's writing exercise you will write a piece of poetry or prose which contains the following phrase at least four times (non-sequentially):
"Right, left, leap."
There are many reasons to take a running leap, whether for some athletic endeavor, a quick escape, a fast departure, or a dozen other things. Maybe it's just the way to cross a stream with a reluctant jumper. Or do something completely different. Just be sure that the repeated phrase earns its worth in your piece. It should be necessary.
Bonus Exercise: Also include the description of some sort of foliage (bushes, leaves etc), and include the words "Tepid" "Generic" "Founder" and "Jaunty".
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If you'd like some background music to write to, try indie hip hop producer Flying Lotus's album Flamagra.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#83 Six Word Shootout While Jogging 11
For today's writing exercise write a piece that includes the following six words. While it perfectly sets you up for a sestina, feel free to write whatever you'd like (but ya know, give that sestina a shot!). Also feel free to make slight alterations to the required words if you want to avoid that eye-pokey repetition you can find in sestinas sometimes.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#82 3x5x10+ Wordbank 13
For today's writing exercise complete the following steps.
1) Pick one word from each of three groups and write a sentence that includes all of the words, feel free to change tense, pluralize, gerund etc.
2) Repeat the process ten (10) times using different combinations. No dawdling!
3) Now write five (5) sentences that are five words or fewer in length that use any two (2) words.
4) Now write three (3) sentences that use four or more of the words.
5) Now write a piece of fiction or poetry that uses at least three (3) of those sentences. Try to use as many of the (good) sentences as you can, or parts of the sentences if the whole thing doesn't fit or works better altered.
Word Bank 1:
Yellowed
Wary
Rotten
Limp
Dingo
Wordbank 2:
Elephant
Kid
Flit
Err
Drawstring
Wordbank 3:
Oak
Pit
Wrongly
Elsewhere
Lockstep
Bonus writing exercise: Include in your story or poem a sentence which begins with the letter A and ends with the word "Topaz", and must mention some sort of drink by specific brand or type of drink.
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Want some unobtrusive background writing music? Try Terry Riley's minimalist 1982 album Descending Moonshine Dervishes.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#81 Ekphrastic Forest
For today, we're going to write a poem or prose piece inspired by another piece of art or an ekphrastic piece. The piece of art in question is this photo by Reddit user MuonicDecay
If nothing right off strikes you try the following exercises along with the image.
Tell the story of the planting of this forest from the perspective of a teacher chaperone. At some point envision this image, but also having their hands full trying to keep the rambunctious kids in line.
Write a narrative from the perspective of one of the tree planting fifth grade class of 1994 about returning to this forest as an adult. Do you walk through it, or is the change too much, resulting in 'you' only getting to the parking lot then leaving.
Write a piece in which this picture is taken shortly before a forest fire, and ruminate on the destruction of that forest and the passing of time transmogrifying the children into adults.
Write a piece in which a child runs by this sign into the forest for some reason—whether chased, exploring, playing a game, whatever you want. But he runs by the sign and catches a glimpse of it.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#80
Beginning & Ending with Falling Snow 12
For today's writing exercise you will write a piece of poetry or prose which begins with one image, scenario, line of dialog or place and ends with another, and an optional additional requirement.
Begin With: A snowball breaking a window.
End With: A Christmas wreath covered in snow.
Extra Credit Requirements: Include the description of something that squeaks; and the words: "Nutmeg" "Hearth" "Gouge" and "Plasma".
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If you'd like some background music, try Stravinsky's "The Firebird" as performed by the Vienna Philharmonic.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#79 Title Mania Plus Galapagos 12
For today's writing exercise you will write a piece of poetry or prose which uses one of the following as its title. For a bonus challenge use the additional exercise of five random constraints.
Titles:
Bits of Plant Particulate
Mulch
Diving the Dumpsters
Tickled to Death
Under a Classic Car in Santa Clara as the Sun Sets Behind an Iced Tea Slowly Dripping Condensation
Bonus Exercise: 5 Random Constraints (I recommend picking any required words or lines before writing with a little surplus for options, but with your chosen title in mind)
Your first paragraph must include the description of a car part using a simile.
You must include at least six words which begin with the letter combination "Br".
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#78 Three Things and a Random Title 06
For today's writing exercise you will write a piece of poetry or prose which contains the following three things, using a title generated by the random title generator linked below. Nice and simple. If you're not intimately familiar with these things do a little reading and see if a piece of info sticks out.
Title:Use this title generator. Get a look at the 3 things below that you must use and generate phrases 10 at a time. Try the more button on the generator no more than three times. If you click it a third time, that's it. Pick one of those. This is one of the best title generators I've found. "Sudden Exit" is one I got which could be about Indiana Jones Jr. stealing a relic from a high security skyscraper being related to a toddler's heist of a strawberry from the countertop—as an example.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#77 Running Repetition
For today's writing exercise you will write a piece of poetry or prose which contains the following phrase at least four times (non-sequentially):
"Run for your life."
This could be a very serious, literal running for your life, it could be the exact opposite where the phrase is hyperbolic and there is no danger at all. Maybe it's a command that the narrator gives to animals he's hunting or NPCs in a video game. Maybe it's a meditation on the Boston Marathon bombing (if so, do it in good taste, or, I'd advise that at least). Or do something completely different. Just be sure that the repeated phrase earns its worth in your piece. It should be necessary.
Bonus Exercise: Also include Someone with a _____ the _____ nickname with the second part being an animal (like, Nicky the Bull, Stan the Snake etc), and include the words "Tape" "Frigid" "Tender" and "Pillar".
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If you'd like some background music to write to, try indie hip hop producer RJD2's album More Is Than Isn't.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#76 Six Word Shootout with Earl 10
For today's writing exercise write a piece that includes the following six words. While it perfectly sets you up for a sestina, feel free to write whatever you'd like (but ya know, give that sestina a shot!). Also feel free to make slight alterations to the required words if you want to avoid that eye-pokey repetition you can find in sestinas sometimes.
Required Words:Try, Banana, Wheels, Wait, Gas, Due
Bonus Exercise: Use at least four words which end with "try" and include a kitchen table in your piece somewhere.
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If you'd like some background music to write to, try Hines '65 by Earl Hines.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#75 3x5x10+ Wordbank 12
For today's writing exercise complete the following steps.
1) Pick one word from each of three groups and write a sentence that includes all of the words, feel free to change tense, pluralize, gerund etc.
2) Repeat the process ten (10) times using different combinations. No dawdling!
3) Now write five (5) sentences that are five words or fewer in length that use any two (2) words.
4) Now write three (3) sentences that use four or more of the words.
5) Now write a piece of fiction or poetry that uses at least three (3) of those sentences. Try to use as many of the (good) sentences as you can, or parts of the sentences if the whole thing doesn't fit or works better altered.
Bonus writing exercise: Include in your story or poem a description of something smaller than a bread basket (or, say a small ice chest/cooler) using at least one aspect of something much larger (The Yorkie's tail swung like a ship's boom).
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Want some unobtrusive background writing music? In honor of Bill Taylor's recent impeachment testimonty, try James Taylor's Greatest Hits.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#74
Beginning & Ending with Flying Cupcakes 11
For today's writing exercise you will write a piece of poetry or prose which begins with one image, scenario, line of dialog or place and ends with another, and an optional additional requirement.
Begin With: A cupcake flying through the air.
End With: A frog (or toad) sitting on a mailbox.
Extra Credit Requirements: Include the description of something that squeaks; and the words: "Froth" "Renewed" "Cusp" and "Parch".
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#73 Erasing The Crystal Egg 12
For today's exercise we have split paths for fiction and poetry, though I highly recommend that even fiction writers try the poetry exercise.
If you insist on fiction, write a piece titled either "The Hands of a Bric-a-Brac Collector" "Bursts of Zeal" or "At Some Remote Date".
For poetry do an erasure or black-out poem from the following selection of H.G. Wells' short story "The Crystal Egg". An Erasure/Blackout is really simple: you take the given text and remove many words to make it your own new piece. One way to go about the erasure that I like to do is to copy the text and paste it twice into your document before you start erasing or blacking out (in MS Word set the text background color to black), that way if you get further into the erasure and decide you want a somewhat different tone or direction, it's easy to go to the unaltered version and make the erasure/black-out piece smoother. Another tip is to look for recurring words, in this example Cave and crystal both occur many times and could be good touchstones for your piece.
Today's excerpt is a little short so keep that in mind\ when composing your erasure.
Erasure Selection:
from The Crystal Egg
Mrs. Cave’s first impulse, directly Cave’s body had been taken upstairs, had been to write to the mad clergyman who had offered five pounds for the crystal, informing him of its recovery; but after a violent hunt, in which her daughter joined her, they were convinced of the loss of his address. As they were without the means required to mourn and bury Cave in the elaborate style the dignity of an old Seven Dials inhabitant demands, they had appealed to a friendly fellow-tradesman in Great Portland Street. He had very kindly taken over a portion of the stock at a valuation. The valuation was his own, and the crystal egg was included in one of the lots. Mr. Wace, after a few suitable condolences, a little off-handedly proffered perhaps, hurried at once to Great Portland Street. But there he learned that the crystal egg had already been sold to a tall, dark man in grey. And there the material facts in this curious, and to me at least very suggestive, story come abruptly to an end. The Great Portland Street dealer did not know who the tall dark man in grey was, nor had he observed him with sufficient attention to describe him minutely. He did not even know which way this person had gone after leaving the shop. For a time Mr. Wace remained in the shop, trying the dealer’s patience with hopeless questions, venting his own exasperation. And at last, realising abruptly that the whole thing had passed out of his hands, had vanished like a vision of the night, he returned to his own rooms, a little astonished to find the notes he had made still tangible and visible upon, his untidy table.
His annoyance and disappointment were naturally very great. He made a second call (equally ineffectual) upon the Great Portland Street dealer, and he resorted to advertisements in such periodicals as were lively to come into the hands of a bric-a-brac collector. He also wrote letters to The Daily Chronicle and Nature, but both those periodicals, suspecting a hoax, asked him to reconsider his action before they printed, and he was advised that such a strange story, unfortunately so bare of supporting evidence, might imperil his reputation as an investigator. Moreover, the calls of his proper work were urgent. So that after a month or so, save for an occasional reminder to certain dealers, he had reluctantly to abandon the quest for the crystal egg, and from that day to this it remains undiscovered. Occasionally, however, he tells me, and I can quite believe him, he has bursts of zeal, in which he abandons his more urgent occupation and resumes the search.
Whether or not it will remain lost for ever, with the material and origin of it, are things equally speculative at the present time. If the present purchaser is a collector, one would have expected the enquiries of Mr. Wace to have reached him through the dealers. He has been able to discover Mr. Cave’s clergyman and “Oriental”— no other than the Rev. James Parker and the young Prince of Bosso–Kuni in Java. I am obliged to them for certain particulars. The object of the Prince was simply curiosity — and extravagance. He was so eager to buy because Cave was so oddly reluctant to sell. It is just as possible that the buyer in the second instance was simply a casual purchaser and not a collector at all, and the crystal egg, for all I know, may at the present moment be within a mile of me, decorating a drawing-room or serving as a paper-weight — its remarkable functions all unknown. Indeed, it is partly with the idea of such a possibility that I have thrown this narrative into a form that will give it a chance of being read by the ordinary consumer of fiction.
My own ideas in the matter are practically identical with those of Mr. Wace. I believe the crystal on the mast in Mars and the crystal egg of Mr. Cave’s to be in some physical, but at present quite inexplicable, way en rapport, and we both believe further that the terrestrial crystal must have been — possibly at some remote date — sent hither from that planet, in order to give the Martians a near view of our affairs. Possibly the fellows to the crystals on the other masts are also on our globe. No theory of hallucination suffices for the facts.
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If you'd like some background music to write to, try the album Light: Music for the Marble Palace by minimalist legend Brian Eno.
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#72 Title Mania Plus The Orb 11
For today's writing exercise you will write a piece of poetry or prose which uses one of the following as its title. For a bonus challenge use the additional exercise of five random constraints.
Titles:
Melted Butter, Flour and Sugar
To the Moon and Back
Hoosier
Throttled
Doorway to a Bad Day
Bonus Exercise: 5 Random Constraints (I recommend picking any required words or lines before writing with a little surplus for options, but with your chosen title in mind)
Your first paragraph must include the description of a pre-packaged food (Twinkie, TV dinner etc).
You must include at least six words which begin with the letter combination "Bl".
The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.
#71 Three Things and a Random Title 05
For today's writing exercise you will write a piece of poetry or prose which contains the following three things, using a title generated by the random title generator linked below. Nice and simple. If you're not intimately familiar with these things do a little reading and see if a piece of info sticks out.
Title:Use this title generator. Get a look at the 3 things below that you must use and generate phrases 10 at a time. Try the more button on the generator no more than three times. If you click it a third time, that's it. Pick one of those. This is one of the best title generators I've found. "An Undaunted Lady" is one I got when testing that I may have to try.
I believe strongly that keeping a notebook of snippets and interesting tidbits of information, dialogue, quotes, observations etc. is of great use to a writer. For one, I think the act of writing it down strengthens your memory of the thing you thought might be memorable enough to write, despite the inability to sit down at the given time to write an entire piece. It also serves as a reservoir of fragments to draw from when you are writing. David Kirby spoke well to the idea of a writer's notebook in an interview with Stephen Reichert of Smartish Pace when he said:
I’d have the young poets maintain a stockpile of linguistic bits: stories, weird words, snatches of conversation they’d overheard, lines from movies they’d seen or books they’d read. Most young poets will say something like, “Well, I have to write a poem now. Let’s see; what can I write about?” And then they end up writing about their own experiences, and, let’s face it, we all have the same experiences. So what all poets need is a savings account they can raid from time to time
This site is both a general writing blog, and one to help spark the writer's mind for ten to thirty minutes a day with short exercises which may not be full stories or poems, but will hopefully serve as a reservoir for future works.
I'm a writer living and teaching in San Diego. I received my BA from California State University, Long Beach, and my MFA from The University of Washington where I was the coordinating editor at The Seattle Review as it transitioned into its current "Long View" form. My writing has appeared in The Southern Review, The North American Review, The New York Quarterly, Permafrost, Bayou, 5AM, The California Quarterly, The Evansville Review, The Georgetown Review, Dark Matter, Cutthroat, Cairn, Miller's Pond, Pearl and The Lullwater Review among others and is forthcoming in ONTHEBUS's long awaited double issue, The Cape Rock and Exit 7. I've been once nominated for a Pushcart Prize and once did not receive a Pushcart Prize. I'm giving facial hair a go now too. Go figure.
If you have a piece that you really need another's opinion on, I may be able to help. Email zebulonworkshops@gmail.com if you would like to begin a correspondence. Critiques begin at $39 for 2 rounds of edits on a single poem and publishing advice.
