2022 Writing Exercise Series #16(b): Erasing EAP "Silence - A Fable" 1

The 2022 Writing Series is a series of daily writing exercises for both prose writers and poets to spark their creative mind and to spur production of new pieces. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write about" you are instead pondering "How do I make this work?" And in the process you are producing new writing.

This is not a standard writing session. This is pure production—to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive—the point is to push, to produce something, however imperfect. If you don't overthink it, you will be able to complete all of the series' exercises in under 30 minutes. 

The Timer Method

If you're going with the timer method (which is certainly not required) I recommend setting four timers (these markers are if you're doing a 30 minute session): The First Timer for 5 minutes for a pre-writing reminder, if you do any planning or thinking on how those things can fit together or how to structure what you're doing, or to revisit your writer's notebook to remind yourself of anything you might have noted to write about 'in the future'. But mostly, to remind you not to overthink, not to delay the actual writing process. You should think at least a little about what the point of the piece will be (more in the third timer section) The Second Timer for 15 minutes which is the main writing time. Remember, don't overthink during this section. You're knocking out the piece. When this timer goes off it's not the end, but a signal that you'll be trying to wrap it up soon. The Third Timer for 5 minutes which is time to wrap up what you're writing. This is where you're making sure that you're tucking in any 'loose narrative threads' and getting to your conclusions. Remember, pieces should have some takeaway or 'point'. Some 'why'—a thing that the reader can point to if they're asking themselves "why did I read this?". The Fourth Timer for 5 minutes which is time for editing, for going back over the piece and giving it a 'once over' for typos. I highly suggest reading it aloud once at the beginning of the five minutes (or prior to starting the last timer). Then you'll use the time to fix things early on that you later changed, and to sprinkle in 'crumbs' which foreshadow or work well with later metaphors so that the piece feels more united.  

#16(b)

Erasing EAP "Silence - A Fable" 1

For today's exercise we have split paths for fiction and poetry, though I highly recommend that even fiction writers try the poetry exercise, because erasures can be a blast!

For poetry do an erasure or black-out poem from the following selection of Edgar Allen Poe's 1838 short story "Silence - A Fable".

Edgar Allen Poe is considered by some to be the writer that solidified the short story genre as, well, a genre. Not the first writer of short stories, or even popular short stories, but he wrote enough of them that with the stories of Nathaniel Hawthorne, Charles Dickens, Irving Washington and others, critics were finally like—fine. Short stories can be a thing.

An Erasure/Blackout is really simple: you take the given text and remove many words to make it your own new piece. One way to go about the erasure that I like to do is to copy the text and paste it twice into your document before you start erasing or blacking out (in MS Word set the text background color to black), that way if you get further into the erasure and decide you want a somewhat different tone or direction, it's easy to go to the unaltered version and make the erasure/black-out piece smoother. Another tip is to look for recurring words, or themes.

If you insist on fiction (or if one of these strikes you), write a piece with one of these titles taken from this section:

1. A World of Words
2. Vigorous Dreams
3. Melancholy Temples in the Wilderness
4. Primeval Trees Rock
5. The Morass of Water-Lilies 
6. A Fuller Red 
7. Fables of Sorrow and Weariness and Disgust

Erasure Selection:

from "Silence - A Fable"

"Ours is a world of words: Quiet we call  

Silence -- which is the merest word of all"

                                     -Al Aaraaf.

    "Listen to me," said the Demon, as he placed his hand upon my head. "There is a spot upon this accursed earth which thou hast never yet beheld And if by any chance thou hast beheld it, it must have been in one of those vigorous dreams which come like the Simoon upon the brain of the sleeper who hath lain down to sleep among the forbidden sunbeams —among the sunbeams, I say, which slide from off the solemn columns of the melancholy temples in the wilderness. The region of which I speak is a dreary region in Libya, by the borders of the river Zaire. And there is no quiet there, nor silence.

    "The waters of the river have a saffron and sickly hue —and they flow not onwards to the sea, but palpitate forever and forever beneath the red eye of the sun with a tumultuous and convulsive motion. For many miles on either side of the river's oozy bed is a pale desert of gigantic water-lilies. They sigh one unto the other in that solitude, and stretch towards the heaven their long ghastly necks, and nod to and fro their everlasting heads. And there is an indistinct murmur which cometh out from among them like the rushing of subterrene water. And they sigh one unto the other.

    "But there is a boundary to their realm—the boundary of the dark, horrible, lofty forest. There, like the waves about the Hebrides, the low underwood is agitated continually. But there is no wind throughout the heaven. And the tall primeval trees rock eternally hither and thither with a crashing and mighty sound. And from their high summits, one by one, drop everlasting dews. And at the roots strange poisonous flowers lie writhing in perturbed slumber. And overhead, with a rustling and loud noise, the grey clouds rush westwardly forever, until they roll, a cataract, over the fiery wall of the horizon. But there is no wind throughout the heaven. And by the shores of the river Zaire there is neither quiet nor silence.

    "It was night, and the rain fell; and, falling, it was rain, but, having fallen, it was blood. And I stood in the morass among the tall lilies, and the rain fell upon my head —and the lilies sighed one unto the other in the solemnity of their desolation.

    "And, all at once, the moon arose through the thin ghastly mist, and was crimson in color. And mine eyes fell upon a huge grey rock which stood by the shore of the river, and was litten by the light of the moon. And the rock was grey, and ghastly, and tall, —and the rock was grey. Upon its front were characters engraven in the stone; and I walked through the morass of water-lilies, until I came close unto the shore, that I might read the characters upon the stone. But I could not decypher the characters. And I was going back into the morass, when the moon shone with a fuller red, and I turned and looked again upon the rock, and upon the characters —and the characters were DESOLATION.

    "And I looked upwards, and there stood a man upon the summit of the rock, and I hid myself among the water-lilies that I might discover the actions of the man. And the man was tall and stately in form, and was wrapped up from his shoulders to his feet in the toga of old Rome. And the outlines of his figure were indistinct —but his features were the features of a Deity; for the mantle of the night, and of the mist, and of the moon, and of the dew, had left uncovered the features of his face. And his brow was lofty with thought, and his eye wild with care; and, in the few furrows upon his cheek I read the fables of sorrow, and weariness, and disgust with mankind, and a longing after solitude. And the moon shone upon his face, and upon the features of his face, and oh! they were more beautiful than the airy dreams which hovered about the souls of the daughters of Delos!

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As your background music sommelier, I've chosen to again pair Vangelis with your "Erasing Edgar Allen Poe" series. For this sampling I've selected Vangelis' 1970 documentary soundtrack "L'Apocalypse Des Animaux" from the nature documentary series by the same name.