The 2021 Writing Series is a series of daily writing exercises for both prose writers and poets to keep their creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.
This is not a standard writing session. This is pure production—to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink it, you will be able to complete all of the exercises in under 30 minutes.
For today's exercise we have split paths for fiction and poetry, though I highly recommend that even fiction writers try the poetry exercise, because erasures can be a blast!
Poetry: For poetry do an erasure or black-out poem from the following: Roger Ebert's review of the 1985 film "The Breakfast Club" (Three Stars).
Roger Ebert has been the archetypal film critic for decades, and he's written thousands of reviews. Because of their nature, almost their own bit of ekphrastic art, this series of erasures will be lots of fun!
An Erasure/Blackout is really simple: you take the given text and remove many words to make it your own new piece. One way to go about the erasure that I like to do is to copy the text and paste it twice into your document before you start erasing or blacking out (in MS Word set the text background color to black), that way if you get further into the erasure and decide you want a somewhat different tone or direction, it's easy to go to the unaltered version and make the erasure/black-out piece smoother. Another tip is to look for recurring words, in this example 'bingo' occurs multiple times and could be a good touchstone for your piece.
Fiction or (poetry): If you insist on fiction (or just feel like writing a "Title Mania" piece), write a piece with one of these titles taken from this section:
- An Old Dramatic Standby
- Five Teenage Kids
- An Aggressive Desire Not to Have Anything in Common
- Standard Hang-Ups
- Teenagers Who Seem Plausible to Other Teenagers
- Nostalgia-Drenched Memories
- Potted Philosophical Talk
Erasure Selection:
"The Breakfast Club" begins with an old dramatic standby. You isolate a group of people in a room, you have them talk, and eventually they exchange truths about themselves and come to new understandings. William Saroyan and Eugene O'Neill have been here before, but they used saloons and drunks. "The Breakfast Club" uses a high school library and five teenage kids.
The movie takes place on a Saturday. The five kids have all violated high school rules in one way or another, and they've qualified for a special version of detention: all day long, from 8 to 4, in the school library. They arrive at the school one at a time. There's the arrogant, swaggering tough guy (Judd Nelson). The insecure neurotic (Ally Sheedy) who hides behind her hair and clothes. The jock from the wrestling team (Emilio Estevez). The prom queen (Molly Ringwald). And the class brain (Anthony Michael Hall).
These kids have nothing in common, and they have an aggressive desire not to have anything in common. In ways peculiar to teenagers, who sometimes have a studious disinterest in anything that contradicts their self-image, these kids aren't even curious about each other. Not at first, anyway. But then the day grows longer and the library grows more oppressive, and finally the tough kid can't resist picking on the prom queen, and then there is a series of exchanges.
Nothing that happens in "The Breakfast Club" is all that surprising. The truths that are exchanged are more or less predictable, and the kids have fairly standard hang-ups. It comes as no surprise, for example, to learn that the jock's father is a perfectionist, or that the prom queen's parents give her material rewards but withhold their love. But "The Breakfast Club" doesn't need earthshaking revelations; it's about kids who grow willing to talk to one another, and it has a surprisingly good ear for the way they speak. (Ever notice the way lots of teenage girls, repeating a conversation, say "she goes ... rather than "she says..."?)
The movie was written and directed by John Hughes, who also made last year's "Sixteen Candles." Two of the stars of that movie (Ringwald and Hall) are back again, and there's another similarity: Both movies make an honest attempt to create teenagers who might seem plausible to other teenagers. Most Hollywood teenage movies give us underage nymphos or nostalgia-drenched memories of the 1950s.
The performances are wonderful, but then this is an all-star cast, as younger actors go; in addition to Hall and Ringwald from "Sixteen Candles," there's Sheedy from "War Games" and Estevez from "Repo Man." Judd Nelson is not yet as well known, but his character creates the strong center of the film; his aggression is what breaks the silence and knocks over the walls.
The only weaknesses in Hughes' writing are in the adult characters: The teacher is one-dimensional and one-note, and the janitor is brought onstage with a potted philosophical talk that isn't really necessary. Typically, the kids don't pay much attention.
Note: The "R" rating on this film refers to language; I think a PG-I3 rating would have been more reasonable. The film is certainly appropriate for thoughtful teenagers.
