10/17/19

Fall Writing Exercise Series #47: Erasing The Crystal Egg 10


The Notebooking Daily Fall Writing Series is a daily writing exercises for both prose writers and poets to keep your creative mind stretched and ready to go—fresh for your other writing endeavors. The writing prompts take the impetus—that initial crystal of creation—out of your hands (for the most part) and changes your writing creation into creative problem solving. Instead of being preoccupied with the question "What do I write" you are instead pondering "How do I make this work?" And in the process you are producing new writing.

These exercises are not meant to be a standard writing session. They are meant to be productive and to keep your brain thinking about using language to solve simple or complex problems. The worst thing you can do is sit there inactive. It's like taking a 5 minute breather in the middle of a spin class—the point is to push, to produce something, however imperfect. If you don't overthink them, you will be able to complete all of the exercises in under 30 minutes.

#47
Erasing The Crystal Egg 10

For today's exercise we have split paths for fiction and poetry, though I highly recommend that even fiction writers try the poetry exercise.

If you insist on fiction, write a piece titled either "The Condition of Things on Mars" "Causeways and Terraces" "Among Certain Lichenous Trees" or "Neither More Nor Less Than Our Own Familiar Earth".

For poetry do an erasure or black-out poem from the following selection of H.G. Wells' short story "The Crystal Egg". An Erasure/Blackout is really simple: you take the given text and remove many words to make it your own new piece. One way to go about the erasure that I like to do is to copy the text and paste it twice into your document before you start erasing or blacking out (in MS Word set the text background color to black), that way if you get further into the erasure and decide you want a somewhat different tone or direction, it's easy to go to the unaltered version and make the erasure/black-out piece smoother. Another tip is to look for recurring words, in this example Cave and crystal both occur many times and could be good touchstones for your piece.


Erasure Selection:

from The Crystal Egg

And where was this other world? On this, also, the alert intelligence of Mr. Wace speedily threw light. After sunset, the sky darkened rapidly — there was a very brief twilight interval indeed — and the stars shone out. They were recognisably the same as those we see, arranged in the same constellations. Mr. Cave recognised the Bear, the Pleiades, Aldebaran, and Sirius; so that the other world must be somewhere in the solar system, and, at the utmost, only a few hundreds of millions of miles from our own. Following up this clue, Mr. Wace learned that the midnight sky was a darker blue even than our midwinter sky, and that the sun seemed a little smaller. And there were two small moons! “like our moon but smaller, and quite differently marked,” one of which moved so rapidly that its motion was clearly visible as one regarded it. These moons were never high in the sky, but vanished as they rose: that is, every time they revolved they were eclipsed because they were so near their primary planet. And all this answers quite completely, although Mr. Cave did not know it, to what must be the condition of things on Mars.

Indeed, it seems an exceedingly plausible conclusion that peering into this crystal Mr. Cave did actually see the planet Mars and its inhabitants. And if that be the case, then the evening star that shone so brilliantly in the sky of that distant vision was neither more nor less than our own familiar earth.

For a time the Martians — if they were Martians — do not seem to have known of Mr. Cave’s inspection. Once or twice one would come to peer, and go away very shortly to some other mast, as though the vision was unsatisfactory. During this time Mr. Cave was able to watch the proceedings of these winged people without being disturbed by their attentions, and although his report is necessarily vague and fragmentary, it is nevertheless very suggestive. Imagine the impression of humanity a Martian observer would get who, after a difficult process of preparation and with considerable fatigue to the eyes, was able to peer at London from the steeple of St. Martin’s Church for stretches, at longest, of four minutes at a time. Mr. Cave was unable to ascertain if the winged Martians were the same as the Martians who hopped about the causeways and terraces, and if the latter could put on wings at will. He several times saw certain clumsy bipeds, dimly suggestive of apes, white and partially translucent, feeding among certain of the lichenous trees, and once some of these fled before one of the hopping, round-headed Martians. The latter caught one in its tentacles, and then the picture faded suddenly and left Mr. Cave most tantalisingly in the dark. On another occasion a vast thing, that Mr. Cave thought at first was some gigantic insect, appeared advancing along the causeway beside the canal with extraordinary rapidity. As this drew nearer Mr. Cave perceived that it was a mechanism of shining metals and of extraordinary complexity. And then, when he looked again, it had passed out of sight.
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If you'd like some background music to write to, try the album Share What You Got by folk punk rockers Defiance, Ohio.